Originally from Santa Cruz, California, I love all things filmmaking and am ecstatic to now be working in Los Angeles!
I started with a long background in theater that led me to where I am now - an aspiring “actor’s director”. In the process, I’ve developed a passion for screenwriting and creating meaningful, personal stories, as well as production and post-production. I love all parts of the creative process as long as I can work with a great team.
I love to work and collaborate closely with other creatives. Based in Los Angeles, I’m available for projects locally or the bay area, remote collaboration/editing, and travel for on-location shoots.
Contact me:
831-454-6826, Zoestack@gmail.com, Zstack@lion.lmu.edu
Director, Writer, Cinematographer & Editor
Total LMU Set Experience
Director/Producer, Before It Ends (2025, Narrative)
Director/Producer, Cutting Edge (2025, Documentary)
Director/Producer, Memory (2025, Avant Garde)
Director, Shadows (2026, Narrative)
Editor, When Tables Burn (2025, Narrative)
Editor, Until There’s a Spider (2026, Narrative)
Editor, Another Minute (2026, Narrative)
Editor/1st AC, Sacrilege (2025, Narrative)
1st AD, Catharsis (2025, Narrative)
2nd AC, Don’t Milk It! (2025, Narrative)
Unit Production Manager, Herida (2026, Narrative)
Script Supervisor, Impressionable (2025, Narrative)
Script Supervisor, Nuclear Man (2025, Narrative)
Script Supervisor, Proscenium (2025, Narrative)
Script Supervisor, The Trip (2026, Narrative)
Script Supervisor, SOLD (2026, Narrative)
Gaffer, Bliss (2025, Narrative)
Gaffer, Intervention (2026, Comedy Skit)
Key Grip, Peaceful Working Environment (2025, Narrative)
Key Grip, Cinema of Attraction (2026, Narrative)
Key Grip, Imaginary Friends (2026, Narrative)
Key Grip, Class of ‘17 (2026, Narrative)
Key Grip, Quiet On Set (2026, Music Video)
Best Boy Electric, Lab Partners (2025, Narrative)
Grip and Electric, Buzzkill (2025, Narrative)
Grip and Electric, At the End of the World, I Want to Steal the Painting (2024, Narrative)
